![]() |
This ornate stone throne, dated to the 5th century B.C.E. and standing 1 meter 40 cm. in height, was discovered at a town called Hawulti (home of a small pre-Aksumite site near Aksum). The seat is hidden by the side panel which is covered in bas relief decoration, including a frieze of ibex (a sacred animal to the lunar god Ilumquh), two figures (the larger one honoring the smaller one, with a name or title inscribed above, consisting of the three consonants |
All photos, graphics and text copyright © 1966-2005,
Skip Dahlgren, unless otherwise credited.
![]() |
This statue (left, seen on display in the archaeological museum in Addis Abeba) was found near the throne (below - click for larger view) in the town of Hawulti (see sketch map). The proximity of the throne and the statue suggested that in fact they may have been related. It's likely that the throne was intended as a shrine to hold the statue. This type of statue of an individual fully and richly dressed and seated in a formal pose, probably some sort of votive statue, is quite common in pre-Aksumite art, to the extent that rough copies were commonly made for the tourist trade during the years when I lived in Asmara. The similarity of the statue to the smaller figure (identified with the inscribed name |
All photos, graphics and text copyright © 1966-2005,
Skip Dahlgren, unless otherwise credited.
![]() |
The icon or symbol incised in the top of this Aksumite period hawulti at Matara (left) is the disk and crescent sign of Ilumquh ( |
All photos, graphics and text copyright © 1966-2005,
Skip Dahlgren, unless otherwise credited.
![]() |
This small Sabaean inscribed stone artifact (left) from Melazo, a pre-Aksumite site near Aksum (see sketch map), dates from the 5th century B.C.E. and demonstrates a number of characteristics commonly found in materials associated with the kingdom of Da'amat, as well as with other Sabaean sites. First is the stepped plinth, a nearly universal architectural design element in the foundations of Sabaean buildings such as Enda Abuna Afse and Grat Ba'al Gibri at Yeha, as well as on monuments, altars, and other structures. Next is the text of the short dedicatory inscription. The first line identifies the person making the dedication, the second links the person named on the previous line to Marib ( |
All photos, graphics and text copyright © 1966-2005,
Skip Dahlgren, unless otherwise credited.