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FOREIGN EXHIBITS
In keeping with the forward-looking spirit of the World's Fair, most
of the participating countries combined
modern day scientific accomplishments with the older arts. Some nations
exhibited officially in response the the President's invitation; others
displayed
their arts, sciences, industries or entertainments.
Japan
The Japanese Pavillion was a typical example of Japanese architecture.
An army of workmen and engineers came over from Japan bringing their
own tools and materials to construct the building. The exhibits showed
what Japan was doing in the peaceful arts—militarism was not
part of the exhibits.
A typical Japanese tea garden was one of the features of the exhibit.
Geisha girls in native costumes added to the charm of the tea drinking
ceremony as practiced in Japan.
Raw Silk, the product of the silk worm, was the pride of Japan. The
worms were reared and fed in rural districts of Japan under extreme sanitary
conditions. The full-grown worm spins a silk cocoon. The process of making
silk, from the cocoon to the finished article, was shown by experts in
the silk industry.

Italy
Italy's building was in the shape of a giant airplane, symbolic of the
flight of 24 Italian planes from Rome to Italy under command of General
Balbo. Exhibit halls were in the "wings" and "body", and
in the front was a tall tower in the shape of the Fascist insignia, the
bundle
of
lictor's rods and the mace.
Inside the building, the Italian exhibits told the story of achievements
in engineering, physics, medicine, geography, astronomy, agriculture,
shipping, and aviation. The 450 Italian exhibits occupied space not only
in the national pavilion, but also the Hall of Science, Adler Planetarium,
and the Museum of Science and Industry in Jackson Park. When the fair
was over, the exhibits were given to the Museum of Science and Industry
as a gift from Italy.

Sweden
In the Swedish Pavilion, with its unique architecture, was displayed
an exhibit of modern applied art, textiles, and glassware. A movement
began in 1870 to encourage handicraft and to awaken the country to the
ugliness of the manufactured goods they were using. This movement gradually
achieved a revolution in public taste and the uniting of art and manufacture.

China
Occupying its own shrine, was a 50 inches high carved jade representation
of a seven-story Chinese temple. It was carved out of a single block
of jade weighing 18,000 pounds. It took 10 years and a small army of
men to carve this great work of art.
Foochow Lacquer Ware, made by Fukien Children's Home, exhibited in the
Chinese building. H. F. Tung, one of the founders of the home and chief
delegate to the Century of Progress, is shown in this picture.

Dominican Republic
The Dominican Republic displayed a model, one-thirtieth actual size,
of the proposed Columbus Memorial Lighthouse. The light was a tribute
to the discoverer of America, and the remains of Columbus were to be
buried in the heart of the monument near Santo Domingo. It was designed
by J. L. Gleave of England, winner of a worldwide architectural competition.
[Note:
It would be nearly 60 years before the lighthouse was completed.]

Czechoslovakia
The chief aim of the Czechoslovakian pavillion was to give a cross-section
of the art, culture, and industry of Czechoslovakia. As an adjunct, the
Czechoslovak Cafe served a variety of Bohemian dishes.
![[czech]](ar804cze.JPG)

Egypt
Egypt exhibited antiquities resurrected from the Valley of the Kings.
Its bazaars were alive with the sights, sounds and smells that attracted
travelers to Egypt.

Other Countries
On the tracks outside the
Travel and Transport building were two famous trains. Great Britain
displayed the speedy Royal Scot; Mexico displayed its Presidential
train with a collection of Monte Alban Jewels. Inside the Travel and
Transport building were exhibits from Canada, the Irish Free State, and
the Grand Duchy of Luxemburg.
Denmark had exhibits in the Hall of Science. There were also medical
exhibits from several other countries in the Hall of Science. Norway
sent her training ship Sorlandet,
which was moored at the southern tip of Northerly island..
The Moroccan Village reproduced the atmosphere of Morocco
with wandering nomads, dancing girls, and beggars. Shops were fillled
with rugs, metals, and pottery which were the principle industries of
Morocco.

Sources
Official Guide Book of the Fair,1933.
Official World's Fair Weekly:
Vol. 1 No. 3, "A Jaunt Around the World at A Century of Progress."
Vol. 1 No. 5, "Fascist Italy Tells its Story."
Vol. 1 No. 5, "Replica of Columbus Memorial Light…"
Vol. 1 No. 8, "Columbus Still Points the Way."
Vol. 1 No. 8, "Sweden Tells Her Great Story of Art."
Vol. 1 No. 10, "Old Japan."
Vol. 1 No. 11, "A Dream in Jade."
Vol. 1 No. 13, "Sheikhs and Sands of Morocco."
Vol. 1 No. 22, "Colorful Czechoslovakia."

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