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THE MASTER BUILDER = 180


____THE MASTER BUILDER____


 

Once again these numbers that reduce to 9 yield some remarkable conceptual associations. The following gematria was inspired by the article excerpt below (see bottom of page), the subject of which is Jesus Christ and Freemasonry. It's interesting to note how Mary Magdalene fits into the scenario also.

 

THE MASTER BUILDER = 180 = THE GEMATRIA STONE


Note the above association with "gematria". This implies an association with "word". Notice also the word, STONE, is an anagram of the word, TONES. "Tones" can be associated with "words". In this context the following is interesting:

THE FREQUENCY OF THE WORD = 261 = REVERSE THE TONES AT NINE

THE SECRET TONES OF THE ENGLISH ALPHABET = 369 = FREQUENCY OF THE LETTERS IS THE KEY

CYCLE THREE SIX NINE = 198 = THE NINE SACRED TONES = REVERSE THE TONES = THE WORD IS CHRIST


 

THE MASTER MASON = 171 = THE GREAT ARCHITECT = HOUSE OF THE LORD = TEMPLE OF THE BODY = POSITIVE LIGHT = DIVINE GEOMETRY = NINE IS THE CODE KEY

STONE MASON = 135 = DECODING THE KEY

 

BUILD THE HOUSE OF THE LORD = 252 = CHRIST CONSCIOUSNESS

IN THREE DAYS I SHALL RAISE IT = 270

 

THE THREE TONES ARE THE KEYS = 279

THE THREE TONES = 162 = NINE IS A MIRROR = THE OCTAVE OF NINE = THE CODE IS THE KEY

THE THREE DAYS ARE = 162 = THE THREE TONES

THE THREE DAYS ARE THE THREE TONES = 324


Regarding the idea of "nine" as a "mirror", the following is interesting:

REVERSE THE MIRROR = 216 = MIRROR THE NUMBERS

REVERSE THE TONES = 198 = REVERSE THE NUMBER

REVERSE THE TONES AT NINE = 261

What message might be hidden in these phrases? We know that 9 marks the end of the numerical series before the series begins all over again with 10 which is actually "1" (1+0=1). Then "11" is "2", and so on. This is why, in traditional numerology, the number 9 is considered to be "the number of completion". This is seen as a circular function: 1 to 9 to 1 to 9 to 1 to 9, and round and round it goes. However, as I have argued elsewhere, it seems more appropriate to consider 9 as "the number of transition" with the series not being a circular function but, rather, a spiral function. In other words, the "1" following the "9" is not the same "1" that began the series. Rather it is a new "1", unique to the endlessly spiraling series in both directions, inward and outward. As above, so below. As within, so without.

Whatever these mysterious "tones" might be, there is an indication that they are to be reversed at the point of transition (REVERSE THE TONES AT NINE = 261).

Also consider the idea that "reversal" can be associated with the idea of "rebuilding" or "resurrection", thus adding yet another dimension of associated meaning in these phrases. This is reflected in the following:

THE RESURRECTION = 198 = REVERSE THE TONES = REVERSE THE NOTES = REVERSE THE STONE = THE TEMPLE OF STONE

FREQUENCY OF THE LETTERS IS THE KEY = 369 = THE SECRET TONES OF THE ENGLISH ALPHABET


 

CHRIST CONSCIOUSNESS CAN MOVE THE STONES = 450

 

MORTER BETWEEN THE STONES = 288 = MASTER ARCHITECT OF THE TEMPLE

MARY MAGDALENE IS THE MORTER BETWEEN THE STONES = 468


In CryptoNumerology (or English Gematria) not all the number values reduce to 9. Some "non-nine" are of great significance simply because of the associative value in "case related" words and phrases. Such is the case with the following:

MASON = 62 = MAGDALENE

MAGDALENE + MORTER = 151 = JESUS CHRIST = JESUS IS LORD = CHRIST THE KING = HOUSE OF MAGDALENE = BALANCE OF MALE AND FEMALE

MARY MAGDALENE = 119 = FOUNDATION


PETER IS THE ROCK + MARY MAGDALENE IS THE MORTER = 441

 

STONE TEMPLE = 144 = PETER THE ROCK = BODY OF CHRIST

CORNER STONE OF THE CHURCH = 261

TWO SIX ONE = 144

THE FOUNDATION STONE = 225 = THE DIVINE CODE IS THE KEY

 

PETER THE CORNER STONE = 243

 

JESUS CHRIST THE TEMPLE GATE = 288 = 144 x 2

THE GATE IS OPEN = 144 = NINE IS THE KEY = THE SECRET KEY


 

This all relates to part of an article found at

http://www.masoncode.com/Jesus%20Christ%20Master%20Mason.htm

which reads:

<< Jesus Christ the Builder

The scriptures are full of allegorical references to masonry and building with stone. For example in Mark 12,10, Jesus says, "The stone which the builders rejected is become the head of the corner". In John 1,42 Jesus makes Simon Peter a stone, a foundation stone of a spiritual Church. The Freemasons likewise labour on the construction of a spiritual version of Solomon's temple, and not a physical one. In Mark 6,4 Jesus is himself described as O Tektwn: this has always been mistranslated as 'carpenter' in the English Bible, but its truer meaning is Builder (cf. architect).

The deeper mysteries of Jesus' building analogies relate to the rite of spiritual resurrection. In John 2,19-21 Jesus portrays himself as a temple builder/rebuilder:

Jesus answered and said unto them, Destroy this temple, and in three days I will raise it up.

Then said the Jews, Forty and six years was this temple in building, and wilt thou rear it up in three days?

This was not woodwork but stonework that he was referring to, and rather more important, as stone was the material of sacred buildings. In this passage Jesus was alluding to his resurrection - an event he clearly had prior knowledge, and understanding, of. He knew that he would triumph over the initiatory death he was to undergo. He also viewed the process in terms of spiritual rebuilding.

Confirmation of this comes from St John's description of the resurrection. This is couched in mysterious and symbolic language, and especially so in the exchange that takes place between the risen Christ and Mary Magdalene beside the empty tomb (John 20,16):

Jesus saith unto her, Mary. She turned herself, and saith unto him, Rabboni; which is to say, Master.

The significance of this exchange is totally lost in modern exoteric Christianity and the very curious word Rabbouni is either conveniently ignored, or euphemistically glossed as a bastard Aramaic form of 'Rabbei' - 'Master'. Neither of these tactics shed any light on the word. However, its true significance has long been known to the Freemasons, and this is why 'Rabboni' is a critical password in the Royal Arch degree - a degree whose central motif is the rebuilding of Solomon's temple. In explaining the etymology of Rabboni, Albert Pike demonstrated that it is not Aramaic at all, but simply derives from the Hebrew, 'RB BNI': these two words mean the Master of the Builders, or the Master Builder (1). Thus Mary's comment clearly refers back to the passage cited above predicting the rebuilding the temple in three days. What she is saying is, "Behold, the Master Builder".

The fact that St John took the trouble to code his gospel by means of gematria actually gives us another chance to confirm the Masonic significance of Mary Magdalene's choice of words. The way she actually greeted him, whilst she took him to be the 'gardener', was with the words, Kurie ei su ebastasaV auton eipe moi pou auton eqhkaV kagw auton arw - 'Sir, if thou hast borne him hence, tell me where thou hast laid him, and I will take him away'. The total gematria value of these Greek words is 7261 - and this is the exact value of the title, O Arcitektwn - The Master Builder, when counted in plenitude (2).

Jesus Christ is thus the supreme Architect of the spiritual temple. It is, I suppose, what one would expect from the son of The Great Architect of the Universe. >>


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