About Really Loud Fonts
About Really Loud Fonts
These fonts were developed in response to actual engraving requirements
and practices, reflected in my personal typesetting adventures since FINALE's
introduction to the Macintosh market in 1988. Generally speaking, Really
Loud Fonts are intended to supplement Petrucci and the excellent Sonata font from Adobe Systems Inc. Each typeface has been
designed to meet music publishing requirements, and should yield fine quality
characters on any PostScript
compatible printer. Being Type 1 fonts, our Macintosh music typefaces are
ATM compatible,
for optimum output on monitors and non-PostScript printers.
The fonts themselves address specific issues arising from FINALE's conventions
and restrictions, in addition to the limitations of existing music fonts.
These fonts are compatible with FINALE, other type-intensive applications,
such as word processors and page layout programs, and any music notation
software which permits the user to format and position characters at will.
Please mail (or e-mail) your suggestions for improved or additional characters
to the address on the order form at the end of this document
Many of the lesser-known notations and articulations, particularly those
of ThesisFont, may be found in Kurt
Stone's Music Notation in the Twentieth Century (W. W. Norton &
Company), which summarizes the consensus of the International Conference
on New Music Notation of 1974. Insofar as possible, Really Loud Fonts conform
to these specifications and requirements.
The Really Loud Font Company is pleased to introduce our own versions
of three music fonts originally designed by David
Rakowski. Dr. Rakowski's Barnett,
Lassus, and Musica
fonts (licensed from Intecsas oHG)have
been encoded using our proprietary methods for optimum compatability between
Finale for Mac and Windows. The Really Loud Font
Company's versions of these three fonts fonts also include additional characters
and MacOS MultiMaster fonts.
Both the fonts and this documentation are provided on an "as-is"
basis, bearing no express or implied warranties or claims as to their suitability
for either private or commercial typesetting applications.
Arun Konanur
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